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Auditioning loops is automatic and they're always in time and always in tune. Browsing through the extensive library of loops and dropping them onto a track and having them work perfectly every time is a happy way to play.
If you like to make music by painting loops onto a multitrack timeline, nothing else does this in quite the same way or as quickly as ACID. It meant that I started this review - as any user would - with several big bags of frustration. This has nothing to do with the functionality of the software, but these days, it's disappointing that there isn't a more sophisticated content installer.
The installer also places several gigabytes of sample content for Magix's VITA instrument on the system drive, but if you move this, the instrument won't open (sigh). Hooray! After moving them to a sensible drive I could then use my system again. I scoured the forums and came across a helpful post which directed me to a folder called Loop Collections in Local Disk C:\Users\Public\Public Documents\MAGIX\Common.
#Acid pro 4.0 manual how to#
ACID doesn't tell you where it lives or how to find it, and the manual and tutorial videos came up empty. The problem is that installer doesn't let you specify where the 24GB or so of library content should go, and so it fills up your C drive, first with the downloaded files and then with the installed content.
#Acid pro 4.0 manual software#
I'd usually skip past this part in a software review, but I found the process so infuriating that I thought it deserved mention, in the hope that Magix will sort it out for future installers. Installationįor this review, I'll focus on the new features found in ACID Pro Next, but first, a word or two about installation.
#Acid pro 4.0 manual update#
Each update usually brings with it large barrels of loop content, too, and this update certainly doesn't disappoint.
#Acid pro 4.0 manual plus#
At the moment ACID Pro Next has all the features of ACID Pro 9 plus a small number of extras. Quite why these need separate names is unclear, but perhaps Magix have diverging plans for the brand. Now, however, Magix are opening a new chapter in the history of time-stretching with ACID Pro 9 and ACID Pro Next. It was what they needed to do to get ACID back on track, but was very much a statement of intent rather than anything new or innovative. Last year saw the release of ACID Pro 8, the first update to the program in many years, with a slightly updated look, 64-bit coding and support for VST3 plug-ins. When German software developers Magix picked it all up from Sony in 2016, they had a lot to do to breathe life back into this loop–making workstation. ACID crawled to a couple of new versions, but development had largely stalled. It was around this time that the original makers Sonic Foundry sold everything to Sony, and for the next decade or so, Sony seemed to put most of their effort into developing the Vegas Pro video editing software that had emerged from ACID in 1999. ACID, meanwhile, slowly acquired the vital bits and pieces it needed to call itself a DAW, and by version 4 in 2003 had MIDI sequencing, automation, VST plug-ins, surround–sound mixing and video support. The ability to pitch-shift audio and time-stretch loops to fit a given tempo is a standard feature and one for which Ableton Live was invented.
This looping technique has been adopted by pretty much every audio production program since. Armed with a sample CD of 'Acidized' loops, you could paint them onto a timeline and pull together arrangements at great speed. Loops in ACID contained tempo and key information that allowed them to be matched automatically when used in the same project. When it first appeared in the late '90s, ACID's extraordinary ability to manipulate the pitch and tempo of looped audio created a whole genre of computer-based loop sequencing that had previously been the realm of scratch DJs and hardware samplers. ACID Pro is the original loop-based remixing program, and the Next version opens up new possibilities thanks to the intriguing Stem Maker.
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